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Designed for those who adore the allure of antiquity, Tagliamonte provides classical beauty with this intaglio halo ring. A magnificent blue Venetian glass centerpiece boasts a mesmerizing bee intaglio carving set over a lustrous mother-of-pearl backdrop. It represents industry, community and the power of transformation. Plated in 18K yellow gold, it also features a halo of vibrant, sparkling blue topaz gemstones - 2.20 carats, in all - that surround the Venetian glass for an extra touch of beauty.

Tagliamonte is a third generation, artisanal Italian jewelry brand. Featuring handcrafted cameos, mosaics and historical motifs, the brand pays homage to classic Italian jewelry. At the core of Tagliamonte is a deep respect and appreciation for the tradition of Italian jewelry craftsmanship. Founded in Naples in 1943, and now in its third generation, the brand is known for traveling all of Italy to deliver you the finest materials and artisanal techniques to ensure superior quality and show-stopping beauty.

Details

  • Material Content: Sterling Silver
  • Plating Type: 18K Yellow Gold
  • Finish: Polished
  • Total Gram Wt: 5.1g
  • Stone Information:
  • Venetian Glass Cameo: 1 / Round Shape / 12.5x13.5x3.15mm
  • Mother-of-Pearl: 1 / Round Shape / 12.5x13.5mm / Bleached
  • Topaz: 22 / Round Shape / 2mm / Irradiated
  • Approximate Total Carat Weight of All Stones: Blue Topaz: 2.20ct.
  • Length: 0.82in.
  • Width: 0.94in.
  • Height: 0.66in.
  • Country of Origin: Italy

Check out the Ring Sizing Guide to find your ring size.

All weights pertaining to gemstones, including diamonds, are minimum weights. Additionally, please note that many gemstones are treated to enhance their beauty. View Gemstone Enhancements and Special Care Requirements for important information.

Product Disclaimer

Vermeil Plating:
Pronounced "vermay," vermeil is an electroplating process in which 14K gold or higher is coated over sterling silver. Officially designated by the jewelry industry, items may only be sold as vermeil if they have a minimum thickness of 100 millionths of an inch (2.5 microns) of gold over the silver. Regular gold plating is less than 2.5 microns.

The "vermeil" technique of plating sterling silver with gold originated in France in the 1750s. It differs from "gold filled" or "gold plated" in terms of the thickness or thinness of the microns over sterling silver. "Gold filled" pieces have a much thicker layer, between 15 and 45 microns, which is mechanically bonded to the base metal with heat and pressure. Vermeil is a more expensive version of "gold plated". It does not wear off as quickly as gold plating does. However, over time, vermeil wears off and therefore will require re-plating.

Gold/Platinum Embraced Silver or Bronze:
Our platinum and gold embraced collections feature layers of platinum or gold over sterling silver or bronze for a lustrous, radiant finish everywhere you look and touch.

To care for your plated jewelry items:

  • Remove jewelry before bathing, swimming, washing hands, putting on make-up, lotions, perfumes, and/or working with household chemicals, cleaners, or acidic liquids.
  • Do not clean plated jewelry in an ultrasonic cleaner or in silver cleaning solutions, as it could completely remove the plating finish from your item.
  • Ensure your jewelry item is thoroughly dry before storing. Moisture in an enclosed space can increase tarnishing.
  • Store your plated jewelry in a jewelry box lined with felt or anti-tarnish material. Items should not be stacked as this may cause damage to the plating surface.
  • Do not use excessive pressure when cleaning with a polishing cloth or soft brush, as this may cause damage to the plating.
  • Over time your plated items will need to be re-plated. Contact your local jeweler for information on plating services.

    Mother-of-Pearl
    Mother-of-pearl is found on the shells of mollusks, such as mussels and oysters, and the shells of pseudopods, such as snails. When the young of these creatures come into the world, they create a shell "house" in order to preserve their existence. The walls of this housing are formed with layers of their secretions, ensuring a simultaneous growth of house and creature together.

    Depending on the type of animal and the environment in which it lives, secretions create various shapes and colors found on the different types of mother-of-pearl. White mother-of-pearl comes from pearl-bearing oysters. It features high reflective properties and is one of the most commonly used types of this material. Iridescent mother-of-pearl is a type in which the colors of pink and green are predominant, while variegated mother-of-pearl is a multicolored type. Stone mother-of-pearl is white with a low reflective power, while mat mother-of-pearl is dull grey and also has a low reflective power.

    The shiny quality of mother-of-pearl has attracted attention for thousands of years. The Louvre Museum features mother-of-pearl objects that belonged to the Sumerians and were found in Mesopotamia. In China, a dish with geometric-shaped pieces of mother-of-pearl was found that belonged to the Tang Dynasty in 618-906 A.D. Mother-of-pearl work was also common in ancient Italy, Greece and Cyprus. Today, different types of mother-of-pearl are commonly used in the art world. This type of art is certainly a challenge, for in order for them to be made into works of art, the mother-of-pearl pieces must be thick enough to withstand being worked upon and be of high enough quality to beautifully reflect colors of the rainbow.

    Topaz:
    A symbol of strength and intelligence, topaz derives its name from Topazios, an island in the Red Sea that is known today as Zabargad. The Greek word “topazios” means “to seek,” since the island was covered with a thick fog and difficult to find. Gemstones found on the island were called topaz, although the stones were eventually found to actually be peridot. The real gem of topaz is found throughout the world, with different occurrences producing specific colors.

    Brown, yellow, orange and red topaz are found in Brazil, Sri Lanka and Siberia. Most brownish topaz is heated to produce a permanent and glamorous pink color. Following the discovery of pink topaz in Russia during the 19th century, Imperial topaz was found. Featuring a sherry red, deep pink or reddish-orange color, the gem was so coveted that its ownership was restricted to the Czar, his family and those who received it as a royal gift. Today, Imperial shades are the most rare and, therefore, the most valuable.

    Blue topaz is rarely found in nature and is most often created through a combination of heat treatment and irradiation. It is found in Brazil, Sri Lanka, Nigeria and China. Topaz is often colorless, too, and can be found in the United States, Mexico, Russia and Pakistan. In 1998, a new type of enhanced topaz made its appearance with a greenish-blue or emerald green color. All colors of topaz rank an 8.0 on the Mohs Scale of hardness.

    Yellow topaz is November’s birthstone and blue topaz is December’s birthstone. Blue topaz is also the traditional gift for 4th and 19th wedding anniversaries, while Imperial topaz is celebrated as a 23rd anniversary gift. Perhaps the most famous topaz is a large, colorless stone known as the Braganza. It was discovered in Brazil in 1740 and was originally thought to be a priceless diamond. Today, the giant 1,680.00ct stone is set in the Portuguese Crown.

    Paraiba color topaz is vibrant greenish blue designed to resemble the rare Paraiba tourmaline gemstone from Brazil. Typically, a blue or colorless topaz is heat treated to create the intense and desirable Paraiba color. White (or colorless) topaz is a budget-friendly alternative to diamonds.

    The mystery and allure of topaz goes back thousands of years. To the ancients, it was a symbol of love and affection and was thought to ward off sudden death. The Romans associated topaz with Jupiter, the god of the sun. The Greeks called it the Stone of Strength, believing it had the power to increase strength and make its wearer invisible in times of emergency. The Egyptians said the gem was colored with the golden glow of the sun god, Ra, making topaz a powerful amulet that protected its wearer against harm.

    Topaz' mystical curative powers were believed to wax and wane with the phases of the moon. The gem was said to change color in the presence of poisoned food or drink and falcons were carved on the stones to help earn the goodwill of kings and magnates.

    Today, topaz is said to be the gem that has the widest range of curative powers. It is believed to dispel enchantment and protect against negative emotions such as anger, fear, greed and envy. Its properties are supposedly enhanced when the gem is mounted in gold. Because of this association with gold, topaz is used to bring or enhance the wearer's money-gathering abilities and has long been used in money and wealth rituals.

    Wearing topaz is said to improve and deepen relationships, promote patience, ensure fidelity and enhance the ability to love. The gem is also believed to bring friendship, intelligence, long life, beauty and a pleasant disposition.

    Venetian & Murano Glass:
    Handcrafted Venetian and Murano glass is renowned for being colorful, elaborate, and skillfully made. The process of making Murano glass is rather complex and the history is rich. Artisans still use the same time-honored techniques that have been passed down for generations. The handmade process allows the glassmaker to shape uniquely beautiful multi-colored designs.

    Murano glass gets its name from the location in which it is made: The island of Murano off the shore of Venice, Italy. The glass has been produced there for centuries, as Murano was a commercial port as far back as the 7th century and a well-known city of trade by the 10th century. Today, Murano remains a destination for tourists and art and jewelry lovers.

    History
    It is believed that Murano glass actually originated in Rome in the 9th century. But artists were influenced by the Asian and Muslim cultures that were exposed at the major trading port in Venice. They decided to create the glass in the Venetian Republic for convenience, which was the first main location for the glassmaking before a devastating fire ruined most of the city's wood buildings. This event caused the glassmakers to move to the island of Murano in 1291. To this day, the names for Venetian and Murano glass are used nearly interchangeably.

    The glassmakers of Murano were soon the most prominent citizens on the island. Around the 14th century, the talented artisans were allowed to wear swords, enjoyed immunity from prosecution, and married their daughters into wealthy families. Their success did not come without a price, however. Glassmakers were not allowed to leave the Republic, causing a feeling of unrest. Some craftsmen rebelled and set up business as far away as England and the Netherlands. Despite this, most workers did stay on the island and by the end of the 16th century, 3,000 of Murano's 7,000 people were involved in the glassmaking industry in some way.

    Today, Murano artisans are still employing the same age-old techniques, crafting everything from contemporary art and jewelry to chandeliers and wine stoppers. Murano held a monopoly on quality glassmaking for centuries, creating and refining many technologies including crystalline glass, enameled glass, glass with threads of gold, multicolored glass, milk glass, and imitation gemstones made of glass. If you visit Murano, the island is now home to the Museo Vetrario, or Glass Museum, in the Palazzo Giustinian. It displays the history of glassmaking, as well as glass samples ranging from Egyptian times through present day.

    Techniques & Materials
    Most Murano glass art is made using the lampworking technique. The glass includes silica which becomes liquid at high temperatures. As the glass passes from a liquid to a solid state, there is a moment when it is slightly soft before it hardens completely. This is when the craftsman can shape the material. The more sodium oxide present in the glass, the slower it solidifies, which is important for hand-working since it allows for more time to shape the material.

    The colors, techniques and materials glassmakers may use depend upon the look the artist is trying to achieve. The Millefiori technique involves layering sliced canes of glass, or forming tiny glass beads by cutting the canes into sections when cold then rounding when hot. Sommerso, filigree, incalmo, enamel painting, engraving, gold engraving, lattimo, ribbed glass and submersion are just a few of the other techniques a glassmaker can apply.