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Treat yourself to these stunning drop earrings. A Venetian Glass Angel Intaglio in a rectangular shape tops the earring while a triangular aquamarine shines at the bottom. The deep yellow and pale blue color combinations is sure to turn heads when you accent your ears with this pair.

Earring Details

  • Metal: 18K gold embraced™ sterling silver
  • Stone Information:
  • Aquamarine: Two triangular 10 x 9mm cabochons
  • Venetian Intaglio: Two carved rectangle 11 x 9mm
  • Setting Type: Prong and glue
  • Measurements: 1-1/8"L x 1/2"W x 1/8"H
  • Backing: French wire with safety
  • Country of Origin: Italy

All weights pertaining to gemstones, including diamonds, are minimum weights. Additionally, please note that many gemstones are treated to enhance their beauty. View Gemstone Enhancements and Special Care Requirements for important information.

GoldoverSilver    VenetianGlass    Aquamarine    Drops    

Vermeil Plating:
Pronounced "vermay," vermeil is an electroplating process in which 14K gold or higher is coated over sterling silver. Officially designated by the jewelry industry, items may only be sold as vermeil if they have a minimum thickness of 100 millionths of an inch (2.5 microns) of gold over the silver. Regular gold plating is less than 2.5 microns.

The "vermeil" technique of plating sterling silver with gold originated in France in the 1750s. It differs from "gold filled" or "gold plated" in terms of the thickness or thinness of the microns over sterling silver. "Gold filled" pieces have a much thicker layer, between 15 and 45 microns, which is mechanically bonded to the base metal with heat and pressure. Vermeil is a more expensive version of "gold plated". It does not wear off as quickly as gold plating does. However, over time, vermeil wears off and therefore will require re-plating.

Gold/Platinum Embraced Silver or Bronze:
Our platinum and gold embraced collections feature layers of platinum or gold over sterling silver or bronze for a lustrous, radiant finish everywhere you look and touch.

To care for your plated jewelry items:

  • Remove jewelry before bathing, swimming, washing hands, putting on make-up, lotions, perfumes, and/or working with household chemicals, cleaners, or acidic liquids.
  • Do not clean plated jewelry in an ultrasonic cleaner or in silver cleaning solutions, as it could completely remove the plating finish from your item.
  • Ensure your jewelry item is thoroughly dry before storing. Moisture in an enclosed space can increase tarnishing.
  • Store your plated jewelry in a jewelry box lined with felt or anti-tarnish material. Items should not be stacked as this may cause damage to the plating surface.
  • Do not use excessive pressure when cleaning with a polishing cloth or soft brush, as this may cause damage to the plating.
  • Over time your plated items will need to be re-plated. Contact your local jeweler for information on plating services.

    Venetian & Murano Glass:
    Handcrafted Venetian and Murano glass is renowned for being colorful, elaborate, and skillfully made. The process of making Murano glass is rather complex and the history is rich. Artisans still use the same time-honored techniques that have been passed down for generations. The handmade process allows the glassmaker to shape uniquely beautiful multi-colored designs.

    Murano glass gets its name from the location in which it is made: The island of Murano off the shore of Venice, Italy. The glass has been produced there for centuries, as Murano was a commercial port as far back as the 7th century and a well-known city of trade by the 10th century. Today, Murano remains a destination for tourists and art and jewelry lovers.

    History
    It is believed that Murano glass actually originated in Rome in the 9th century. But artists were influenced by the Asian and Muslim cultures that were exposed at the major trading port in Venice. They decided to create the glass in the Venetian Republic for convenience, which was the first main location for the glassmaking before a devastating fire ruined most of the city's wood buildings. This event caused the glassmakers to move to the island of Murano in 1291. To this day, the names for Venetian and Murano glass are used nearly interchangeably.

    The glassmakers of Murano were soon the most prominent citizens on the island. Around the 14th century, the talented artisans were allowed to wear swords, enjoyed immunity from prosecution, and married their daughters into wealthy families. Their success did not come without a price, however. Glassmakers were not allowed to leave the Republic, causing a feeling of unrest. Some craftsmen rebelled and set up business as far away as England and the Netherlands. Despite this, most workers did stay on the island and by the end of the 16th century, 3,000 of Murano's 7,000 people were involved in the glassmaking industry in some way.

    Today, Murano artisans are still employing the same age-old techniques, crafting everything from contemporary art and jewelry to chandeliers and wine stoppers. Murano held a monopoly on quality glassmaking for centuries, creating and refining many technologies including crystalline glass, enameled glass, glass with threads of gold, multicolored glass, milk glass, and imitation gemstones made of glass. If you visit Murano, the island is now home to the Museo Vetrario, or Glass Museum, in the Palazzo Giustinian. It displays the history of glassmaking, as well as glass samples ranging from Egyptian times through present day.

    Techniques & Materials
    Most Murano glass art is made using the lampworking technique. The glass includes silica which becomes liquid at high temperatures. As the glass passes from a liquid to a solid state, there is a moment when it is slightly soft before it hardens completely. This is when the craftsman can shape the material. The more sodium oxide present in the glass, the slower it solidifies, which is important for hand-working since it allows for more time to shape the material.

    The colors, techniques and materials glassmakers may use depend upon the look the artist is trying to achieve. The Millefiori technique involves layering sliced canes of glass, or forming tiny glass beads by cutting the canes into sections when cold then rounding when hot. Sommerso, filigree, incalmo, enamel painting, engraving, gold engraving, lattimo, ribbed glass and submersion are just a few of the other techniques a glassmaker can apply.

    Aquamarine:
    Aquamarine's name was derived from the Latin terms "aqua" meaning water and "mare" for sea. According to legend, aquamarine was the treasure of mermaids and held the power to keep sailors safe at sea. Sailors carried it to stay in the good graces of Poseidon and ward off seasickness. Other folklore says that aquamarine was the stone of the sea-goddesses and sirens. Sea goddesses were said to cleanse the stone in the ocean water at night by the light of the full moon. Beads of aquamarine are even found in ancient Egyptian mummy tombs, used as a tribute to the gods of the netherworld for safe passage.

    From the lightest sky-blue to the deepest sea blue, aquamarines are found in an exceptionally beautiful spectrum of blue hues. With its clear brilliance, deeper colors are unusual in smaller sizes since it generally takes a larger stone to hold a darker shade. The most prized aquamarines are those displaying a deep, intense, pure blue with no green tints. These are more rare and therefore more valuable. Unlike its emerald sister, aquamarine is known for being relatively free of inclusions with evenly distributed color. It retains excellent clarity, which is why aquamarines are frequently cut with large step facets to show off their flawless surfaces, immaculate transparency and high brilliance.

    The different shades of aquamarine are distinguished by their names. "Santa Maria" is the name for the rare, intensely deep blue aquamarines found in the Santa Maria de Itabira Mine in Brazil. Similar colors are found in some of the sparse aquamarine gemstone mines in Africa, especially in Mozambique. In order to better distinguish them, these aquamarines are denoted as "Santa Maria Africana." Not quite as deeply blue are "Espirito Santo" aquamarines from the Brazilian state of Espirito Santo. Another beautiful color has been named in honor of a Brazilian beauty queen from 1954, and has become famous as "Martha Rocha."

    Aquamarine is thought to possess a number of mystical properties , with powers that allegedly develop best if the stone is immersed in sun-drenched water. It is a stone of peace, joy and happiness, especially in the renewing of relationships. Its pale blue color arises sympathy, trust and harmony, all feelings that soothe and calm emotional fires or problems. The gem is said to re-awaken love in married couples or spark new friendships. In fact, carrying an aquamarine is supposed to guarantee a happy marriage and to make its owner happy. As a necklace, it is the most magically ideal gift for a groom to give his bride on the day of their nuptials.

    In ancient times, aquamarine was thought to be capable of preserving youth and health. In magic today, this beautiful stone is worn or carried to enhance the utilization of psychic powers. Aquamarine can be worn as a magic charm to ensure good health, to halt fear and to strengthen courage. Because it is a cleansing and purification stone, it can be worn or rubbed on the body as a part of a purification ritual. Aquamarine can also be worn or carried as a protective amulet while sailing or flying over water. Fishermen, sailors and pilots have long made it their special amulet against danger. Other modern beliefs suggest the Santa Maria aquamarine makes the heart beat faster.

    Now and then, sensationally large crystals are found. The largest known aquamarine is a 243-pound stone found in Brazil in 1920. It was cut into many smaller stones, and a 13-pound uncut piece resides in the American Museum of Natural History. Another noted aquamarine is an 879.50ct step-cut flawless sea green stone that is on display in the British Museum of Natural History. Aquamarine is found in many exotic places around the world, including Afghanistan, Angola, Kenya, Madagascar, Mozambique, Nigeria, Pakistan, Sri Lanka, Russia, Zambia and Zimbabwe. Most of the gemstones available in the market today, however, come from Brazil.

    Many modern designers have named aquamarine as their favorite stone, as its light color allows for a special creative freedom to bring out the character and brilliance of each stone. Gemstone artists get their inspiration for new cuts more often from aquamarines than from any other stone. These creative designer cuts have no doubt contributed to its high popularity. Aquamarine is the March birthstone and has become the traditional gift for 16 th and 19 th anniversary gifts. With an 8.0 ranking on the Mohs Scale , the stone is very durable and can stand up to everyday wear. It is the symbol for youth, hope, health and fidelity.

    Earring Back Types


    The backing is an important part of an earring, providing a secure closure and comfortable fit. Keep in mind, some earring styles work better with certain back types. Experiment with the different types to find the best fit for you!

    Butterfly Back: A double looped piece resembling a butterfly that fits over a post. Variations on this design are called push back clasps. The basic post and butterfly back are usually used for stud earrings and lighter weight drop earrings.

    Hinged Snap Backs: This clasp features a hinged post that snaps into a groove on the back of the earring. It is commonly found on hoops. Sometimes the hinged post is curved to provide more room to fit around the ear, sometimes called a saddleback.

    Hook Backs: This earring backing is simply a long, bent post that fits through the piercing. Hooks have several variations, most notably the shepherd's hook and the French hook. While thin wire hooks reduce the weight of long earrings, making them more comfortable, they aren't as secure as other clasp styles.

    Lever Back: A hinged lever snaps shut against the curved post to form a closed loop around the ear lobe. This clasp is very secure and good for large or medium sized styles that drop just below the ear.

    Omega: Also called French clips, this clasp has a straight post and a looped lever. The hinged lever closes around the post and is held against the ear with pressure. The omega clasp is the most secure clasp, especially for the larger, heavier earrings.

    Screw back: This backing is a slight variation of the standard post and butterfly nut back. Instead of pushing on the back, the nut twists onto the threaded post. A screw back post design is often preferred for expensive diamond stud earrings that require increased security.