Skip to main content
Adjust Text Size:

Your friends will be abuzz with compliments when you wear this delightful Tagliamonte intaglio ring. Showcasing a bee design in Venetian glass cameo over mother-of-pearl, this bee-eautiful ring is sure to be admired on your finger. Crafted in 18K yellow gold-plated sterling silver, it's available in your choice of cameo color. Pair with earrings 191-217.

At the core of Tagliamonte is a deep respect and appreciation for the tradition of Italian jewelry craftsmanship. Founded in Naples in 1943, this brand is known for seeking out the finest materials and artisanal techniques to create show-stopping beauty.

Details

  • Material Content: Sterling Silver
  • Karatage: 925
  • Plating Type: 18K Yellow Gold
  • Stone Information:
  • Mother-of-Pearl: 1 / Round Shape / Flat Cut / 12mm / Bleached
  • LIGHT BLUE
  • Venetian Glass: 1 / Round Shape / Intaglio Cut / 12mm
  • RED
  • Venetian Glass: 1 / Round Shape / Intaglio Cut / 12mm
  • LIGHT GREEN
  • Venetian Glass: 1 / Round Shape / Intaglio Cut / 12mm
  • WHITE
  • Venetian Glass: 1 / Round Shape / Flat Cut / 12mm / Bleached
  • AUBURN
  • Venetian Glass: 1 / Round Shape / Flat Cut / 12mm
  • Length: 7/8in.
  • Width: 1/8in.
  • Height: 7/8in.
  • Country of Origin: Italy

Check out the Ring Sizing Guide to find your ring size.

All weights pertaining to gemstones, including diamonds, are minimum weights. Additionally, please note that many gemstones are treated to enhance their beauty. View Gemstone Enhancements and Special Care Requirements for important information.

Product Disclaimer

Vermeil Plating:
Pronounced "vermay," vermeil is an electroplating process in which 14K gold or higher is coated over sterling silver. Officially designated by the jewelry industry, items may only be sold as vermeil if they have a minimum thickness of 100 millionths of an inch (2.5 microns) of gold over the silver. Regular gold plating is less than 2.5 microns.

The "vermeil" technique of plating sterling silver with gold originated in France in the 1750s. It differs from "gold filled" or "gold plated" in terms of the thickness or thinness of the microns over sterling silver. "Gold filled" pieces have a much thicker layer, between 15 and 45 microns, which is mechanically bonded to the base metal with heat and pressure. Vermeil is a more expensive version of "gold plated". It does not wear off as quickly as gold plating does. However, over time, vermeil wears off and therefore will require re-plating.

Gold/Platinum Embraced Silver or Bronze:
Our platinum and gold embraced collections feature layers of platinum or gold over sterling silver or bronze for a lustrous, radiant finish everywhere you look and touch.

To care for your plated jewelry items:

  • Remove jewelry before bathing, swimming, washing hands, putting on make-up, lotions, perfumes, and/or working with household chemicals, cleaners, or acidic liquids.
  • Do not clean plated jewelry in an ultrasonic cleaner or in silver cleaning solutions, as it could completely remove the plating finish from your item.
  • Ensure your jewelry item is thoroughly dry before storing. Moisture in an enclosed space can increase tarnishing.
  • Store your plated jewelry in a jewelry box lined with felt or anti-tarnish material. Items should not be stacked as this may cause damage to the plating surface.
  • Do not use excessive pressure when cleaning with a polishing cloth or soft brush, as this may cause damage to the plating.
  • Over time your plated items will need to be re-plated. Contact your local jeweler for information on plating services.

    Mother-of-Pearl
    Mother-of-pearl is found on the shells of mollusks, such as mussels and oysters, and the shells of pseudopods, such as snails. When the young of these creatures come into the world, they create a shell "house" in order to preserve their existence. The walls of this housing are formed with layers of their secretions, ensuring a simultaneous growth of house and creature together.

    Depending on the type of animal and the environment in which it lives, secretions create various shapes and colors found on the different types of mother-of-pearl. White mother-of-pearl comes from pearl-bearing oysters. It features high reflective properties and is one of the most commonly used types of this material. Iridescent mother-of-pearl is a type in which the colors of pink and green are predominant, while variegated mother-of-pearl is a multicolored type. Stone mother-of-pearl is white with a low reflective power, while mat mother-of-pearl is dull grey and also has a low reflective power.

    The shiny quality of mother-of-pearl has attracted attention for thousands of years. The Louvre Museum features mother-of-pearl objects that belonged to the Sumerians and were found in Mesopotamia. In China, a dish with geometric-shaped pieces of mother-of-pearl was found that belonged to the Tang Dynasty in 618-906 A.D. Mother-of-pearl work was also common in ancient Italy, Greece and Cyprus. Today, different types of mother-of-pearl are commonly used in the art world. This type of art is certainly a challenge, for in order for them to be made into works of art, the mother-of-pearl pieces must be thick enough to withstand being worked upon and be of high enough quality to beautifully reflect colors of the rainbow.

    Venetian & Murano Glass:
    Handcrafted Venetian and Murano glass is renowned for being colorful, elaborate, and skillfully made. The process of making Murano glass is rather complex and the history is rich. Artisans still use the same time-honored techniques that have been passed down for generations. The handmade process allows the glassmaker to shape uniquely beautiful multi-colored designs.

    Murano glass gets its name from the location in which it is made: The island of Murano off the shore of Venice, Italy. The glass has been produced there for centuries, as Murano was a commercial port as far back as the 7th century and a well-known city of trade by the 10th century. Today, Murano remains a destination for tourists and art and jewelry lovers.

    History
    It is believed that Murano glass actually originated in Rome in the 9th century. But artists were influenced by the Asian and Muslim cultures that were exposed at the major trading port in Venice. They decided to create the glass in the Venetian Republic for convenience, which was the first main location for the glassmaking before a devastating fire ruined most of the city's wood buildings. This event caused the glassmakers to move to the island of Murano in 1291. To this day, the names for Venetian and Murano glass are used nearly interchangeably.

    The glassmakers of Murano were soon the most prominent citizens on the island. Around the 14th century, the talented artisans were allowed to wear swords, enjoyed immunity from prosecution, and married their daughters into wealthy families. Their success did not come without a price, however. Glassmakers were not allowed to leave the Republic, causing a feeling of unrest. Some craftsmen rebelled and set up business as far away as England and the Netherlands. Despite this, most workers did stay on the island and by the end of the 16th century, 3,000 of Murano's 7,000 people were involved in the glassmaking industry in some way.

    Today, Murano artisans are still employing the same age-old techniques, crafting everything from contemporary art and jewelry to chandeliers and wine stoppers. Murano held a monopoly on quality glassmaking for centuries, creating and refining many technologies including crystalline glass, enameled glass, glass with threads of gold, multicolored glass, milk glass, and imitation gemstones made of glass. If you visit Murano, the island is now home to the Museo Vetrario, or Glass Museum, in the Palazzo Giustinian. It displays the history of glassmaking, as well as glass samples ranging from Egyptian times through present day.

    Techniques & Materials
    Most Murano glass art is made using the lampworking technique. The glass includes silica which becomes liquid at high temperatures. As the glass passes from a liquid to a solid state, there is a moment when it is slightly soft before it hardens completely. This is when the craftsman can shape the material. The more sodium oxide present in the glass, the slower it solidifies, which is important for hand-working since it allows for more time to shape the material.

    The colors, techniques and materials glassmakers may use depend upon the look the artist is trying to achieve. The Millefiori technique involves layering sliced canes of glass, or forming tiny glass beads by cutting the canes into sections when cold then rounding when hot. Sommerso, filigree, incalmo, enamel painting, engraving, gold engraving, lattimo, ribbed glass and submersion are just a few of the other techniques a glassmaker can apply.